Music
I’ve recently stepped into music in a way I didn’t expect. It starts very simply—beatboxing, chanting, singing fragments, playing around with whatever comes through—and then I shape it using AI as a tool rather than a replacement. It helps carry the ideas further, turning rough, instinctive sounds into something fuller while still keeping the original spark intact. It’s become a space where I can move freely between sound, rhythm, and feeling without needing to define it too much.
Right now I’m exploring across a range of styles—punk, gothic rock, breakcore, jungle, drum and bass, and different forms of electronic music. Some projects lean into raw, aggressive energy, others into layered, strange textures. Madpan moves through more experimental breakcore rhythms and jazz-infused chaos, while the Ravenheart work leans into darker, more atmospheric sound tied into my ongoing creative world. All of it connects back to a wider body of work, including my writing, even if I’ve stepped away from that for a while to follow this current.
This page is where those experiments live. You can listen to the tracks here as they evolve, before they’re released more widely on platforms like Spotify. It’s all part of the same process—exploring, shaping, and seeing where the sound leads next.
All Seeing Punk is a collision between the modern world and the raw force of British underground punk. It drags today’s reality—its systems, its roles, its strange expectations—through a 1970s–80s punk lens and lets it tear itself apart. The sound is feral, direct, and unfiltered, but underneath it runs a deeper current: a way of seeing that doesn’t sit comfortably inside the structures most people accept. This isn’t nostalgia—it’s using that old energy as a weapon to cut through something new.
At the centre of it all is the All Seeing Punkster—a trickster presence that threads through the album like a signal. Not a character in the usual sense, but a perspective. An outsider’s eye. A way of looking at the world when you’ve never quite fitted into it. Through that lens, the songs move across everything from modern dating and power dynamics to class structures, control systems, and the strange performance of everyday life. There’s humour in it, but it’s sharp—observational rather than comforting.
This album comes from a place of heightened awareness—seeing patterns, contradictions, and behaviours that don’t quite make sense on the surface. It explores what it feels like to exist in a world that often rewards coldness, conformity, and calculated ambition, while you’re wired to notice more, question more, and feel the edges of things. Instead of resolving that tension, All Seeing Punk leans into it—finding energy in chaos, and expression in refusing to play along.
ALL SEEING PUNK
In an age where the world feels increasingly engineered toward obedience, repetition, artificial distraction, and invisible forms of control, this music became an act of rebellion through imagination, spirit, and emotion. The essence of Pan, the Trickster, and the wild divine has long represented something deeply profound to me — not malevolence, but the illuminating adversary to stagnation and spiritual numbness. The force that unsettles grey systems by reminding humanity that beneath routine, industry, and social conditioning there still lives something ancient, ecstatic, romantic, and untamed. When I first felt compelled to pick up the flute, I could never approach it in a conventional or academic way. Even the act of playing became instinctive and trance-like, as though the melodies were arriving from somewhere beyond rational thought. The more I wandered into wilderness — toward rivers, caves, ancient trees, and forgotten pathways — the more I felt guided by an unseen current. At times it almost feels as though I am briefly possessed by the spirit of the Trickster God himself; not a forgotten deity, but an enduring archetype whose presence has echoed throughout mythology, Romanticism, folklore, art, and the longing for freedom across centuries.
This entire album is a transmutation of that connection. The raw breath of the flute is transformed through modern studio alchemy into sweeping Baroque and classical landscapes, allowing instinct and wilderness to merge with celestial beauty and ornate emotional expression. Baroque music became the perfect vessel for this process, capable of elevating the primitive woodland cry of the flute into something heavenly, melancholic, passionate, and deeply romantic. Within these compositions lives my inner world: love, longing, wonder, solitude, beauty, and the aching desire to reconnect with something sacred beneath the noise of modern life. Pan, to me, represents the outsider spirit — the solitary wanderer who unsettles the herd because he awakens hidden feeling and reminds people of the wild mystery they have lost. These pieces are fragments of that hidden wilderness carried into sound; a search for utopia through breath, imagination, romance, and the divine spark of the Trickster.